San Antonio, TX
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Brisbane, Australia
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Auckland, New Zealand
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Toronto, Canada
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Toronto, Canada
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Kansas City, MO
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Omaha, NE
Overall Rating
4.3
By Anonymous
Great concert, great venue , perfect weather. fantastic night
By nunyabidnis
One of the worst concerts I've been to
I now understand why the CD was sent for free. You get what you pay for. Having my phone put into a locking bag without my permission was unacceptable. I have no problem with keeping it in my pocket during the concert at Jack's request (as I've heard he's done in the past), but instead having to run to a special area to have it freed from its captivity was ridiculous. Needless to say, mine was liberated without the need of the help of the staff. The opener was just horrible. We listened to them prior to the show, and they were slightly better live, but it was still pretty awful. I don't expect much from an opening act, but I remember thinking, "Which record exec actually heard this and was like, "Yup, that's the new sound I've been lookin' for." "Something similar to the sound of cats being raped is exactly what the kids are gonna go crazy for." Maybe that was a bit harsh, and I've heard worse bands, but not many. Jack's set list was not for the fans. I can understand that playing the same songs can be tiresome, but come on man. Any concert should be a couple songs off the new album, followed by a bunch of favorites, then something unreleased or a cover, ending with Seven Nation Army. Instead he played most of the new album, a couple decent songs off the first two albums, and then ended with SNA, which he really phoned in. There were points when he just stopped singing it, maybe because he didn't care. It was shorter than I expected, and probably could have fallen asleep at several parts. My friend has seen him twice before, and agreed that this was the worst of the three. On the bright side, it was easy to leave the venue, as half the crowd already left before the end.
By Merrick1996
LOVE JACK, hate the venue (COTA/Austin 360)
Anytime you can see Jack White, DO IT! Even if it's at your least favorite venue in the country that's 20 miles from civilization. I sucked it up. Even paid $25 to park in LotC. Would never do it for another artist though.
By Cmurphey
Jack white
LOVE Jack White. Only thing I would do differently is get floor tickets.
By Bandman22
Great guitar & band, moderate production
Austin 360 Amphitheater is a great venue on any dry day. The band was tight and projection screens provided good views and graphics for entertainment. Sound production was excellent save for volume that could have been 20db lower and distortion of vocals. Jack's voice has never been his strongest element but words to even familiar songs were often lost between his sometimes screechy tone and what appeared to be impact of monitors on the 3 mics he used for vocals. Great guitar work and clarity for the volume/venue but it would have been more audience friendly to understand vocals. A Giant Dog was raucous and sensuous with the vocalists constant gyrations and hip thrusts but added little to the overall quality of the event.
By concertgoinggranny
Jack White is Amazing
What a fabulous show !! Jack White is a rock legend. I was totally captivated throughout the entire show.
By TSTexas
Guitar Slayer
No doubt J White is one if the best guitar players out there. Would have liked more songs from his pivotal early WS albums. No marathon concert- clocked in at 90 minutes. But, quite the entertainer.
By Letes
Jack White is incredible!!
Great mix of old and awesome new tunes. Very tight set. We had a great time!!
By MsG70
Jack White was incredible!
A true talent, performer and professional. First time to experience him in solo setting and did not disappoint. He came, he rocked, he conquered! Keep those amazing albums coming. The phone free concert definitely enhanced my show experience.
By ofgpizza
Amazing with a few drawbacks
The concert was beyond amazing, unfortunately I couldnt see 3/4 of it because people decided that it was best to stand up and just take as much space in the lawn as possible in the front of the lawn so literally everyone behind them could not see a thing...
Jack White in Concert
One of the premier rock stars of the 21st century, Jack White isn't just one the most electrifying guitar players and skilled songwriters of our time, he's a one-man music industry whose influence permeates mainstream and underground rock alike. Born in Detroit, White was a professional upholsterer before his primitive blues-punk duo, The White Stripes, became key instigators of an early-2000s garage-rock explosion that turned them into international media darlings. Certainly, there was no denying the firecracker spark of breakthrough singles like "Fell in Love With a Girl" and "Hotel Yorba," though the duo's striking red-and-white attire and carefully cultivated mystique — with White and his ex-wife/drummer Meg playing up the myth that they were a brother-sister act — no doubt amplified the hysteria around them. By 2003's ‘Elephant,' The White Stripes had fully outgrown their indie roots, with the brontosaurus-sized stomp of "Seven Nation Army" — a soccer-stadium anthem for the ages — revealing a grander vision that White would pursue up to the duo's 2007 swan song, ‘Icky Thump.'
Liberated from The White Stripes' minimalist formation, White has indulged his every creative whim, forming satellite bands (power-pop revivalists The Raconteurs, heavy-blues bruisers The Dead Weather) and embarking on an eclectic solo career that's yielded the downhome serenades of 2012's ‘Blunderbuss' and the dazzling baroque ‘n' roll of 2014's ‘Lazaretto.' At the same time, he's nurtured his Third Man Records label into a multi-purpose operation based in his current home of Nashville, encompassing a record store, recording studio, music venue, and vinyl pressing plant that's been at the forefront of the medium's revival. However, for all his dedication to keeping bygone styles and formats alive, White bristles at being painted as an old-school purist. And to prove it, he loaded up his wildly experimental 2018 release, ‘Boarding House Reach,' with all sorts of modernist touches, like Pro Tools productions and hip-hop-style drum breaks. His current tour finds him adapting those studio-sculpted creations for the stage with the help of a four-piece backing band — and don't be surprised if you see this guitar god get behind the drum kit to give those beats some extra oomph.