Arkells hail from Hamilton, Ontario, the midsize industrial city located about an hour west of the bustling metropolis of Toronto. And from day one, they've flaunted their hometown pride en route to becoming one of Canada's most popular rock bands.

The quintet named themselves after the west-end Hamilton street where they lived as students attending McMaster University, and their 2008 debut album, ‘Jackson Square,' paid tribute to the namesake shopping mall located in the heart of the city. But most importantly, the Arkells actually sounded like Hamilton, embodying the city's gritty, working-class spirit in proletarian anthems — like "Oh, the Boss Is Coming!" — that betrayed the deep influence of fellow Ontario indie-rock rabble-rousers the Constantines.

After winning the Juno Award for New Group of the Year in 2010, the Arkells began to shed their steeltown skin and indie aesthetic. Max Kerman's impassioned vocals drove the soulful pop strut of "Leather Jacket" and the effervescent "Come to Light" (an open-freeway anthem in the mold of Don Henley's 1980s classic "Boys of Summer").

With 2016's ‘Morning Report,' they started taking notes from contemporary pop and hip-hop, resulting in the cheeky, gospelized R&B of "Drake's Dad" (whose video featured a cameo from Mr. Dennis Graham himself) and the brash, brass-knuckled single "Knocking at the Door" (The band's live setup has likewise expanded, incorporating a horn section and a chorus of female backing singers they dub the Arkettes).

But even as the Arkells racked up multiple Juno Awards and ascended to the ranks of bona fide arena rockers in Canada, they've never forgotten their Hamilton roots. They've supplied local Canadian Football League team the Ticats with their theme song, they continue to take an active role in endorsing local progressive politicians and urban transit initiatives, and Kerman and bassist Nick Dika have even opened their own sports bar downtown.

In June of 2018, the Arkells thanked their hometown by headlining their biggest concert to date, bringing more than 20,000 fans out to Hamilton's Tim Hortons Field for a gathering they dubbed The Rally. That sense of triumph has carried over to the subsequent album ‘Rally Cry,' whose gold-plated fusion of Springsteen-sized grandeur and modern-R&B groove shows that one of Canada's most beloved rock bands is ready to take on the world.